Real Nigga Heaven
Fuck whatchu talmbout, this hoe dedicated to all the shit fux wit.
Real Nigga Heaven
+
3eyesopen:

sarajevomoja:

so this just happened. real tweet of Tyson’s.

0_0… Whoa.
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pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
pottergirl05:

Remember when Ryan Hurst (Opie) was leaving the show so Charlie Hunnam (Jax Teller) and Mark Boone Jr (Bobby Munson) cut his beard in the manliest way possible… with a Katana. And there where man tears from both Charlie and Ryan. NEVER FORGET.
+
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
trillaryclinton:

huffingtonpost:

This Man With Severe Cerebral Palsy Created Mind-Blowing Art Using Just A Typewriter
Last year, 22-time Emmy award-winning reporter John Stofflet posted this news video he created for KING-TV in 2004, featuring Paul Smith and his artistic talents.
See the full video to see more of Smith’s artworks and to learn more about his inspiring story go here. 

this made me cry
+
+
wonderlandscorruption:

finntrollinabox:

weaponslover:

Brass Knuckle Knife Gun from 1875

wtf I need one

why would they stop making these
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dynastylnoire:

the-goddamazon:

wetcvnt:

trinidadjames:

Amazing lol.

IM FUCKING CRYING

STOP IT

I QUIT Y’ALL!
+
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
shamelustly:

tinalikesbutts:

Fucking kids care more about each other than we do

I was gone from school for two weeks after being in an accident and when i came back to school literally no one gave a fuck. I wish we can all go back to our 4 year old selves because growing up teaches us how to hate and be self centered. 
+
ancientart:

Depictions of the Abu Simbel temples, from 1843 to present.
Of the most magnificent monuments in the world, the two temples at Abu Simbel date to about 1260 BCE, and have long captured the interest and imaginations of many.
Ramesses II dedicated the so-called Small Temple of Abu Simbel to the goddess Hathor, and his wife Nefertari. Slightly further south is the larger temple, which Ramesses dedicated to the gods Ptah, Amun-Re, Re-Horakhty, as well as his own divine self. 4 colossal seated figures of Ramesses take up the facade of the latter.
The Great Temple of Ramesses II by kairoinfo4u.
Temple of Hathor/Nefertari, published in 1902, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1921, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1896, Internet Archive Book Images.
'Interior of the excavated Temple of Abu Simbel in Nubia,' published in 1843, The British Library.
ancientart:

Depictions of the Abu Simbel temples, from 1843 to present.
Of the most magnificent monuments in the world, the two temples at Abu Simbel date to about 1260 BCE, and have long captured the interest and imaginations of many.
Ramesses II dedicated the so-called Small Temple of Abu Simbel to the goddess Hathor, and his wife Nefertari. Slightly further south is the larger temple, which Ramesses dedicated to the gods Ptah, Amun-Re, Re-Horakhty, as well as his own divine self. 4 colossal seated figures of Ramesses take up the facade of the latter.
The Great Temple of Ramesses II by kairoinfo4u.
Temple of Hathor/Nefertari, published in 1902, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1921, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1896, Internet Archive Book Images.
'Interior of the excavated Temple of Abu Simbel in Nubia,' published in 1843, The British Library.
ancientart:

Depictions of the Abu Simbel temples, from 1843 to present.
Of the most magnificent monuments in the world, the two temples at Abu Simbel date to about 1260 BCE, and have long captured the interest and imaginations of many.
Ramesses II dedicated the so-called Small Temple of Abu Simbel to the goddess Hathor, and his wife Nefertari. Slightly further south is the larger temple, which Ramesses dedicated to the gods Ptah, Amun-Re, Re-Horakhty, as well as his own divine self. 4 colossal seated figures of Ramesses take up the facade of the latter.
The Great Temple of Ramesses II by kairoinfo4u.
Temple of Hathor/Nefertari, published in 1902, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1921, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1896, Internet Archive Book Images.
'Interior of the excavated Temple of Abu Simbel in Nubia,' published in 1843, The British Library.
ancientart:

Depictions of the Abu Simbel temples, from 1843 to present.
Of the most magnificent monuments in the world, the two temples at Abu Simbel date to about 1260 BCE, and have long captured the interest and imaginations of many.
Ramesses II dedicated the so-called Small Temple of Abu Simbel to the goddess Hathor, and his wife Nefertari. Slightly further south is the larger temple, which Ramesses dedicated to the gods Ptah, Amun-Re, Re-Horakhty, as well as his own divine self. 4 colossal seated figures of Ramesses take up the facade of the latter.
The Great Temple of Ramesses II by kairoinfo4u.
Temple of Hathor/Nefertari, published in 1902, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1921, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1896, Internet Archive Book Images.
'Interior of the excavated Temple of Abu Simbel in Nubia,' published in 1843, The British Library.
ancientart:

Depictions of the Abu Simbel temples, from 1843 to present.
Of the most magnificent monuments in the world, the two temples at Abu Simbel date to about 1260 BCE, and have long captured the interest and imaginations of many.
Ramesses II dedicated the so-called Small Temple of Abu Simbel to the goddess Hathor, and his wife Nefertari. Slightly further south is the larger temple, which Ramesses dedicated to the gods Ptah, Amun-Re, Re-Horakhty, as well as his own divine self. 4 colossal seated figures of Ramesses take up the facade of the latter.
The Great Temple of Ramesses II by kairoinfo4u.
Temple of Hathor/Nefertari, published in 1902, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1921, Internet Archive Book Images.
The Great Temple of Ramesses II, published in 1896, Internet Archive Book Images.
'Interior of the excavated Temple of Abu Simbel in Nubia,' published in 1843, The British Library.
+
cudichildish:

"all that shit ain’t fresh no more, fuck all that. That doesn’t determine if you’re a real man or not."
cudichildish:

"all that shit ain’t fresh no more, fuck all that. That doesn’t determine if you’re a real man or not."
cudichildish:

"all that shit ain’t fresh no more, fuck all that. That doesn’t determine if you’re a real man or not."
cudichildish:

"all that shit ain’t fresh no more, fuck all that. That doesn’t determine if you’re a real man or not."
+
gradschoolswag:

rivernymph:

samwinchesterhatesfire:

quads-for-the-gods:

bellecs:

winningthebattleloosingthewar:

On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.
Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.
People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.

Here she is, age 70, still absolutely elegant and poised.


she deserves to be re-blogged
this makes me want to cry



Poise.
gradschoolswag:

rivernymph:

samwinchesterhatesfire:

quads-for-the-gods:

bellecs:

winningthebattleloosingthewar:

On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.
Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.
People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.

Here she is, age 70, still absolutely elegant and poised.


she deserves to be re-blogged
this makes me want to cry



Poise.
gradschoolswag:

rivernymph:

samwinchesterhatesfire:

quads-for-the-gods:

bellecs:

winningthebattleloosingthewar:

On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.
Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.
People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.

Here she is, age 70, still absolutely elegant and poised.


she deserves to be re-blogged
this makes me want to cry



Poise.
gradschoolswag:

rivernymph:

samwinchesterhatesfire:

quads-for-the-gods:

bellecs:

winningthebattleloosingthewar:

On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.
Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.
People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.

Here she is, age 70, still absolutely elegant and poised.


she deserves to be re-blogged
this makes me want to cry



Poise.
gradschoolswag:

rivernymph:

samwinchesterhatesfire:

quads-for-the-gods:

bellecs:

winningthebattleloosingthewar:

On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.
Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.
People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.

Here she is, age 70, still absolutely elegant and poised.


she deserves to be re-blogged
this makes me want to cry



Poise.